The Great White Whale

January 20th, 2010

Twitter is over capacity. I’ve been greeted by those words many times over the last few days. It’s no surprise though, given the scale of the tragedy in Haiti there are so many on Twitter posting updates about missing persons, the aid effort, appeals and any news from the earthquake-struck Caribbean island as it happens that it’s bringing the site a standstill.

But in a way that’s a good thing - it’s a sign of how many people have been moved or affected by the devastation and are using Twitter to reach out to those affected.

And besides, it’s not so bad when Twitter stops working, because you’re greeted by Twitter’s charming little illustrations that are reminiscent of Pixar title sequences. And a group of birds carrying a whale across the sea is something I’d love to see in reality.

Parkour Motion Reel

January 20th, 2010

Nice little motion reel created by Singapore based graphic designer, saggyarmpit:

parkour motion reel from saggyarmpit on Vimeo.

Brand Irony

December 13th, 2009

These photographs by the quite excellent Sharad Haksar have been doing the rounds on a few marketing blogs of late. Ironic, satirical and creatively brilliant. The images speak for themselves.

This Isn’t It

October 30th, 2009

I first came across this glaring Photoshop gaffe on the ‘Photoshop Disasters‘ blog a few months ago (if you haven’t spotted it yet, just look between Jacko’s legs).

I think the image was hastily comped together for the press, who were desperate for a snippet of the rehearsals Jackson had been going through prior to his untimely death. And in that kind of rushed situation you can overlook a tiny error like forgetting to complete a giant red letter ‘S’. The image was hardly going to be splashed across every media imaginable the world over for months on end now was it?

Step forward ‘This is It‘: the movie cash-in documenting the aforementioned rehearsals. And as part of the movie’s advertising, the above image has been splashed across every media imaginable the world over for months on end.

Not that it really matters. You could design the ads for ‘This Is It’ in MS Word and people would flock to the cinemas in their millions regardless. But still, it’s a pretty high profile mistake to make, and one that you can see in all its glory wherever you are, at least for two more weeks anyway.

The King is dead! That is all

October 30th, 2009

‘The bigger they are, the harder they fall,’ or something like that. And The X Factor is going to fall harder than a suicidal stockbroker if Ireland’s les enfants terribles John and Edward win the competition in December.

Let’s face it, John and Edward - or ‘Jedward’ as they’ve become known - might be entertaining in a so bad they’re good kind of way, but it’d be hard to take any show like this seriously again if they won, and that would probably spell the end of the talent show, at least for a good while anyway.

But it would make for a fascinating case study on how a hugely popular brand could implode so spectacularly as a result of its own platform: the open search for new talent (or a new revenue stream for Simon Cowell if you’re the pessimist) that was won by the least talented people in the country.

To some the prospect of the improbably quiffed oompa loompas dealing the coup de grace to Simon Cowell’s moneymaking machine will be one of joy. Charlie Brooker once described the X Factor as ‘Nuremberg for dummies,’ and no doubt those who despise what The X Factor does to music will agree with Mr Brooker and revel in the current plight inflicted upon The X Factor by the British public.

But to others - myself included - The X Factor is a guilty pleasure. Kind of like McDonald’s. And it would be sad if a nationwide prank resulted in the death of ITV’s flagship show; not just because there would be a huge two hour void to fill on a Saturday night (what would we be expected to do? go out?!), but also because it would probably kill ITV, a channel already on its knees courtesy of the recession.

However, The X Factor head honchos might not let it get that far. They’ll probably force Jedward out, but claim to the press that the duo did a John Sergeant and left of their own volition to prevent a farce occuring (meanwhile securing the pair a future in children’s television). But then, recounting past X Factor winners, the show has had more failures than successes, and it has continually recovered from the likes of Steve Brookstein, Shayne Ward and Leon Jackson, so why not let Jedward stay in the show?

And who knows, maybe Jedward will be succesful if they win. In a world where the likes of Aqua, Peter Andre and Scooter have achieved success (I use the word loosely), maybe there’s a place for the obnoxious little runts.

Of course, this entire post is complete speculation. So, to continue in that vein, I’m going to stand by my earlier comments and predict that The X Factor 2009 will be looked upon as a lesson in how a brand can shoot itself in the foot, get fatal gangrene and then die a very painful, very public death.

Turismo

October 28th, 2009

I’m a big fan of vintage travel posters. A lot of them are done in an Art Deco style and really capture the sense of adventure and exploration that was ushered in by the fledgling years of leisure transport.

These days, tourism ads tend to rely on spectacular photography and focus solely on the destination being advertised. But they often lack the charm and exotic, romanticised appeal of early- and mid-twentieth-century illustrated ads. Arguably, the vintage ads shown below wouldn’t work in the modern, globalised world where we take transport for granted and see it as a -often stressful- means to an end. But they can still be admired for their visual appeal and for capturing the zeitgeist.

= ?

October 28th, 2009

Product Placement

October 27th, 2009

Ah, product placement: the branding exercise everyone loves to hate. Well, not everyone. Certainly there are those who feel it adds a veneer of reality to their favourite films, videogames and TV shows. After all, isn’t it more realistic for characters to take swigs from cans of Coke or Pepsi than some hastily made up faux brands? The problem is, the concept of subtle product placement isn’t something many advertisers (nor directors) tend to grasp. In fact, the phrase might as well be an oxymoron. Countless pieces of entertainment feature product placement that is so blatent, so forced that it actually destroys any semblance of reality and becomes one long advert for a handful of brands (usually repeat offenders). Instead of brands becoming associated with characters, the opposite occurs.

Here’s a list of the top seven (everyone does top tens) most unsubtle product placements ever:

7) Bad Boys 2

Not content with an entire scene devoted to a giant blue Pepsi truck passing by, this wise-cracking sequel tries to work product placement and celebrity endorsement together with cringeworthy results. The particular scene involves the two protagonists commandeering a new Cadillac at gunpoint, forcing the occupants to get out of the car. Of said occupants, one is Dan Marino, a famous former American football player, who was taking the car for a test drive (evidently the ‘kind of man who drives a Cadillac’). Anyway, as if we weren’t now aware of the giant plug, Will Smith proceeds to force the point further down our throats by telling us that ‘Dan Marino should definately buy this car’. Thanks Will.

6) Castaway

Despite being subjected to a five minute extolling of Fed Ex’s core values at the beginning of this film, I actually quite liked the product placement. It was realistic for a courier man to work for a big brand like Fed Ex, and there was even a certain amount of product displacement going on when Hanks’ Fed Ex plane crashes. And anyone who says that they weren’t moved by the friendship between man and volley ball is a liar. But then it all gets a bit too much in the film’s third act when Hanks returns home to a Fed Ex endorsed hero’s welcome. And the final scene, where Hanks delivers a package he was stranded with to its destination (and so emphasising Fed Ex’s reliability), is just silly. The fact that it’s delivered four years too late is never mentioned, of course.

5) Fantastic 4

In a hoarding-heavy scene outside a motorbike sporting arena, the ‘Human Torch’ character, in combusted mode, gets flung against a billboard for a Burger King Whopper and ignites the poster in the process. Flame-grilled burgers message heavily implied? check.

4) Casino Royale

‘Nice watch, Rolex?’

‘Omega’

‘Beautiful’

Then there’s the 60 second spot for a Mondeo and the notion that in Bond’s universe every electronics product is a Sony.

3) Any Transformers film

King of product placement Michael Bay must have salivated at the prospect of directing Transformers. The whole film comes pre-packaged with product placement. But for the sequel he took his love for placement to the next step with outright narcissism: a giant poster for his earlier film ‘Bad Boys 2′.

2) The Island

Michael Bay strikes again in this ‘Logan’s Run’ rip off. In a future set world we’re supposed to believe that people engage in holographic Xbox fighting tournaments (replete with dated logo) and use MSN phone booths.

1) I, Robot

This film was released in 2004. And when Will Smith isn’t telling everyone how great his 2004 Converse All Star shoes are while listening to the funky music blaring from his 2004 JVC sound system, he’s running around completely unfazed by Audi’s monopoly of the car industry.

A brand new day…

October 21st, 2009

Just for fun, I figured I’d try and depict an average day in my life using only brand logos. And companies worry about brand engagement!

They don’t make ‘em like they used to

October 20th, 2009

In the last few weeks I’ve been to see two of my favourite films on the big screen: The Thing and Ghostbusters. They were being shown as part of a season of classic films at cinemas in Manchester. These films, among many others, are gems of entertainment that I’ve only ever experienced on TV, VHS, DVD or more recently Blu-Ray because I was either too young to see them during their original cinema releases or I hadn’t been born. So I always jump at the chance to watch classic films when they are re-released to get that true cinematic experience.

For me, The Thing is one of the greatest sci-fi horror films of all time. And not just because it has got the legend that is Kurt Russell in it, but because of its tension, pacing, story, setting, characters and grotesque special effects (that still hold up to this day). When I saw it in the cinema it was screened in full high-definition digital quality and looked outstanding.

Ghostbusters meanwhile was screened using what must have been an original print: there was a grainy quality to the image, muffled sound, scratches all over the place and the occasional missing frame. But oddly enough, I kind of enjoyed the dusty, aged reel of Ghostbusters more than the super sharp presentation of The Thing. Not because I’m a technophobe but because it had a charm to it. And the whole experience was like stepping back in time 25 years. The showing was sold out, the ticket price was dirt cheap and everyone there was a childhood fan of the film eager to get a bit nostalgic and re-engage with the 80’s.

Evidently there’s still quite a market for nostalgia and for experiences that people were denied originally because they were before their time. And in an era where we think of nothing but driving forward into the latest technologies and the most detailed, immersive experiences (something that marketing and advertising play a central role in) it might be an idea to stop for a minute and think about who might want to experience the old, the obsolete and the inferior, and how they can be catered for.